Review: The Devastator #6: "The Indie Issue"
"Where's your Bukowski section?"
"Where's your Bukowski section?"
Author and entrepreneur, Rob Reid chats with us about his latest book, Year Zero
The problem with doing superheroics as well as Rick Remender has with Uncanny X-Force is that when you offer up an issue that's merely "good" it feels like a huge step backwards.
"Who will come knocking? The trader -- or the tiger?" That's the central question of Kirby Genesis , one poised by Jack Kirby himself back when he was asked to make a design for the Pioneer 10 space probe by the L.A. Times .
Marvel's MAX line has been about as hip-hop as comics gets since its inception, with obvious riffs on the genre's iconography in founding titles like Cage and Foolkiller and a general interest in taking the Marvel U to the streets of New York.
Remember when David Lapham would start issues of Young Liars off by suggesting a soundtrack? I've always wondered why more writers don't do that kind of thing, especially since comics don't need to deal with the hassles of licensing and royalties the way movies and television do, leaving a potentially infinite number of soundtrack possibilities for comics.
Recently the Comics Bulletin Twitter feed has become the kind of place where you're as likely to see mock feuds as you are to hear about our features and reviews.
Ralph Mathieu has owned and operated Alternate Reality Comics since 1995, when he bought the existing Dungeon Comics, and it's been one of Las Vegas's premier comic destinations ever since.
EDITOR'S NOTE: The Pound #2 is out now on IDW's digital comics app.
The difficulty in reviewing single issues of something like Morning Glories is the fact that this juggling act is nowhere near complete.
