At San Diego Comic-Con 2011, Ben Templesmith was kind enough to do a brief interview to give us an idea of what he’s been up to, things he’s worked on and some of the inspirations he draws from as a writer and artist. While he didn’t originally plan on attending Comic-Con, Templesmith was glad that he ended up going. Clearly because he was just dying to do an interview with Comic Bulletin’s own Felicity Gustafson.
Ben Templesmith: It’s been really good. I wasn’t going to come.
Gustafson: Are you glad that you came?
Templesmith: For many reasons, I’m glad I came, but it’s actually been a pretty slow con for me. Everything was sort of last minute afterthought. I didn’t even have a badge until a month ago. Everything’s cut off and booked up. I missed the boat. I had a hotel room, I knew that. It’s so hard to organize, you have to be early.
Gustafson: So you’re here promoting Bleed Out. Can you tell us a little about it?
Templesmith: It’s a future thing. Society has collapsed. It’s a lot of drugs and crime. I did one small chapter that focused on a couple of characters that were crime bosses. It’s cool. I can’t tell you much more about it. It was a small job at the time; I only did like a six-page thing. It was a fun thing to do.
Templesmith: Last year some time.
Gustafson: And it’s just now coming out in book form?
Templesmith: Yeah, it was all in digital form first, to do with the game. They’ve just finally collected into a nice, big book to use it as a very beautiful promotional device. It’s marketing mostly. It’s a game tie-in. It was a lot of fun.
Gustafson: Have you gotten a chance to do anything with the game?
Templesmith: No. It’s an online MMO type thing.
Gustafson: Are you not a gamer?
Templesmith: I am. I just haven’t played games for awhile. I need more time to work. But no, I haven’t played it.
Gustafson: You enjoy your job though, right?
Templesmith: I do, but I don’t usually play many of the games that I do comics for. I do a little bit, but I’ve done a lot of computer game related stuff. I’ve done Silent Hill, which I have played. Dead Space, which I have played a bit of. Turok: Dinosaur Hunter, that didn’t come out for me, but I did that and Kane & Lynch, which I haven’t played. I never get the games to actually play when I do the comics. I wish I did. Fallout! I want to do Fallout.
Gustafson: I tried playing Dead Space; it just didn’t really do it for me.
Templesmith: Well, I didn’t play it to the end, but I thought it was good.
Gustafson: So what inspires you to do your art?
Templesmith: I’m just a normal person, so I just get it out of me. It’s the people who draw cutesy stuff that you have to worry about, because they retain it all. I just get it out. Everyone has darkness inside of us. I just like what appeals to me and I don’t really know where it comes from. I have no dark history. I like mood and atmosphere, so I don’t know where it comes from. I just like horror and dark comics.
Gustafson: Your artistic flow just happens to be darker.
Templesmith: I started to like artists like Ralph Steadman, Victor Ambrus, Ashley Wood and Dave McKean.
Gustafson: So you wrote Wormwood: Gentleman Corpse, right? Was that one of the first things you did?
Gustafson: That was one of the series that got me into comics. There were like three or four and that was one of them. They just took off for me.
Templesmith: Well, thank you very much. It’s my favorite book. It’s my baby. I came up with it originally in high school, but he’s changed a bit.
Gustafson: They tend to do that. They form their own story.
Templesmith: He’s the most successful thing I’ve ever done. Outside of having a movie made or working with Warren Ellis, which is the same thing.
Gustafson: So are you currently working on any kind of movie or TV deals?
Templesmith: Nope. I like doing comics for comics. I mean, if stuff happens, that’s great, but I’m not looking for it. I’ve had my Hollywood experience.
Gustafson: You don’t want more of it?
Templesmith: No, I would love more of it. I’d love the money, but I’m not in any way enamored by the mystery in that side of it because I like crafting my comics and telling stories myself. Unless I get into directing or something, I don’t need to. Hollywood adds further complications to what I’d like to do. So no, I don’t do anything specifically thinking, “Oh, this would make a good movie.” It’s all about the comics first. I’m a purist that way. Possibly bitter, but not really. I’ve had a great time.
Gustafson: What’s your stance on digital comics? Would you rather hold the comic in your hand, printed paper, or are you more for the digital
Templesmith: Digital is the future. I mean, I have my own app. Things have to be digital, but I’m still a fan of books. They’re never going to die. We’ve been in a transition phase for the last few years and then they’ll stop caring about doing them in print and having them online first.
Gustafson: I noticed a lot of artists are switching over to doing digital artwork, as well. Photoshop and all that.
Templesmith: I started out really digital and became more fine artsy – putting more work into the original, physical work. I don’t draw or paint on the computer. I do a bit of coloring on the computer, just to finish it off, but I don’t draw on the computer.
Gustafson: I get the feeling that’s going to become more of a rarity.
Templesmith: Yeah, I’m a rarity. I’m old school. When some people start doing one thing, I’m going to do the opposite. I’m weird that way.