Comics Bulletin logo
Search
  • Columns
    Random
    • Torchwood: Miracle Day 4 "Escape to LA" Review

      Daniel Gehen, Jason Jeffords Jr.
      August 4, 2011
      Columns, Shot for Shot
    Recent
    • The Full Run: Usagi Yojimbo – The Wanderer’s Road Part 2

      Daniel Gehen
      December 4, 2020
    • The Full Run: Usagi Yojimbo – The Wanderer’s Road Part 1

      Daniel Gehen
      October 30, 2020
    • Comictober 2020: DRACULA MOTHERF**KER

      Daniel Gehen
      October 27, 2020
    • What Looks Good
    • Comics Bulletin Soapbox
    • The Full Run
    • Leading Question
    • Top 10
    • The Long-Form
    • Jumping On
    • Comics in Color
    • Slouches Towards Comics
  • Big Two
    Random
    • Singles Going Steady 7/6/2016 - Wilma! Let's Talk About Sex!

      Daniel Gehen, Jason Jeffords Jr.
      July 9, 2016
      Big Two, Big Two Reviews, Indie, Reviews, Singles Going Steady
    Recent
    • 4.5

      DCeased: Dead Planet #7 Presents a Hopeful Future (Review)

      Daniel Gehen
      January 22, 2021
    • Retro Review: Detective Comics #826 Remains a Holiday Classic

      Daniel Gehen
      December 3, 2020
    • Stan Lee

      nguyen ly
      November 7, 2020
    • DC Comics
    • Big Two Reviews
    • Marvel Comics
  • Indie
    Random
    • The First-Ever Buffy & Angel Event Begins in HELLMOUTH #1

      Daniel Gehen, Jason Jeffords Jr.
      September 11, 2019
      Boom! Studios, News, Press Release
    Recent
    • Review: The Loneliness of the Long-Distance Cartoonist

      Daniel Gehen
      December 14, 2020
    • The Full Run: Usagi Yojimbo – The Wanderer’s Road Part 2

      Daniel Gehen
      December 4, 2020
    • 4.5

      TMNT: The Last Ronin #1 Lives Up to the Hype (Review)

      Daniel Gehen
      October 29, 2020
    • Reviews
    • Archie Comics
    • Boom! Studios
    • Dark Horse
    • IDW
    • Image
    • Oni Press
    • Valiant
  • Reviews
    Random
    • 2.5

      Stormwatch #5

      Daniel Gehen, Jason Jeffords Jr.
      January 9, 2012
      Reviews
    Recent
    • 4.5

      DCeased: Dead Planet #7 Presents a Hopeful Future (Review)

      Daniel Gehen
      January 22, 2021
    • Review: The Loneliness of the Long-Distance Cartoonist

      Daniel Gehen
      December 14, 2020
    • Retro Review: Detective Comics #826 Remains a Holiday Classic

      Daniel Gehen
      December 3, 2020
    • Singles Going Steady
    • Slugfest
    • Manga
      • Reviews
    • Small Press
      • Reviews
      • ICYMI
      • Tiny Pages Made of Ashes
  • Interviews
    Random
    • Video Interview: A Geek Talking: A Kurt Sasso Documentary

      Daniel Gehen, Jason Jeffords Jr.
      March 28, 2015
      Interviews, Video Interview
    Recent
    • Interview: Jon Davis-Hunt Talks SHADOWMAN

      Daniel Gehen
      June 8, 2020
    • Interview: Becky Cloonan talks DARK AGNES and Her Personal Influences

      Mike Nickells
      March 4, 2020
    • Simon Roy

      Interview: Simon Roy on His Inspirations and Collaborations on PROTECTOR

      Mike Nickells
      January 29, 2020
    • Audio Interview
    • Video Interview
  • Classic Comics
    Random
    • Remembering Captain Planet and the Planeteers

      Daniel Gehen, Jason Jeffords Jr.
      December 19, 2014
      Classic Comics Cavalcade, Columns
    Recent
    • Countdown to the King: Marvel’s Godzilla

      Daniel Gehen
      May 29, 2019
    • Honoring A Legend: Fantagraphics To Resurrect Tomi Ungerer Classics

      Daniel Gehen
      February 15, 2019
    • Reliving the Craziest Decade in Comics History: An interview with Jason Sacks

      Mark Stack
      January 2, 2019
    • Classic Comics Cavalcade
    • Classic Interviews
  • News
    Random
    • Kickstarter Spotlight: WOLVERTON, THIEF OF IMPOSSIBLE OBJECTS #2

      Daniel Gehen, Jason Jeffords Jr.
      August 21, 2018
      Kickstarter Spotlight, News, Press Release
    Recent
    • 2020 Ringo Awards Winners Announced

      Daniel Gehen
      October 26, 2020
    • BAD IDEA Announces 2021 Publishing Slate

      Daniel Gehen
      September 29, 2020
    • A Full Replay of NCSFest 2020 is now Available

      Daniel Gehen
      September 15, 2020
    • Press Release
    • Kickstarter Spotlight
  • Books
    Random
    • 'Will Eisner: Champion of the Graphic Novel' is a Great Tribute to the Master Cartoonist

      Daniel Gehen, Jason Jeffords Jr.
      May 23, 2017
      Books, Classic Comics, Classic Comics Cavalcade
    Recent
    • Collecting Profile: Disney Frozen

      CB Staff
      November 22, 2019
    • Collecting Profile: NFL Superpro

      CB Staff
      August 31, 2019
    • “THE BEST OF WITZEND” is a Wonderful Celebration of Artistic Freedom

      Daniel Gehen
      September 15, 2018
    • Review: ‘Machete Squad’ is a Disappointing Afghan Memoir

      Jason Sacks
      July 31, 2018
    • Review: ‘Out of Nothing’ is the Antidote to Our Sick Times

      Jason Sacks
      July 23, 2018
    • Review: ‘Bizarre Romance’ Shows Rough Edges in the Early Days of a New Marriage

      Jason Sacks
      July 10, 2018
What's New
  • Collecting Profile: If I win Powerball, I will buy Amazing Fantasy 15
  • DCeased: Dead Planet #7 Presents a Hopeful Future (Review)
  • Collecting Profile: Batwoman
  • Collecting Profile: Daredevil
  • Collecting Profile: Floronic Man
  • Review of Cheetah in Wonder Woman 1984
  • RSS Feed
  • Twitter
  • Facebook
  • Google+
  • Contact Us
  • Write for us!
  • Visit Video Game Break!
Home
Big Two

Singles Going Steady 4/25/2019: War! What is it Good For?!

Daniel Gehen, Jason Jeffords Jr.
April 25, 2019
Big Two, DC Comics, IDW, Marvel Comics, Reviews, Singles Going Steady

Singles Going Steady is Comics Bulletin’s weekly single issue review roundup. This week, we look at a quartet of books with war at the forefront. Also, there’s one that’s somewhat related to this little indie movie coming out this weekend.

Image result for detective comics 1002

Detective Comics #1002

DC Comics

(w) Peter J. Tomasi (a) Bradley Walker (i) Andrew Hennessy (c) Nathan Fairbairn

If the previous issues had the same energy Detective Comics #1002 has I would’ve been more excited from the start. With Arkham Knight finally confronting Batman we get a glimpse of his motivations through some selective dialogue directed towards his enemy. An interruption of bullets via the Gotham P.D. stops the Arkham Knight, whose Knights return fire, with Arkham Knight going on the defensive for the cops. At a glance this doesn’t seem that big of a deal, but it showcases that Arkham Knight at heart may not be such a “bad” guy and seems to care about Gotham.

Compared to the last few issues, #1002 fleshes out Arkham Knight while moving the plot forward, thanks in in large part to Robin’s role. Having wrote Damian Wayne for years, Peter J. Tomasi excels with this character. Meanwhile, he continues to write one of the better depictions of Alfred in the past few years. His writing shines through when characters interact with each other, showing the many years between said character, with one of the funniest moments coming from Gordon and Batman. Instead of feeling like characters are just moving from point to next #1002 feels like more detective work was put into the plot, coming in the way of Robin investigating bomb fragments only to be captured.

The writing may have improved, but the art gains little. Characters’ faces still looking obscure and misshapen, and the action pieces (the few there are) lack fluidness and are ultimately uninspired. One of the cooler moments is between Batman, Arkham Knight, his goons, and the Gotham cops in a three-page standoff. This could have been a great moment, but it falls flat due to the art. Bradley Walker has improved on backgrounds and some foreground objects, but whenever a character moment happens, any the emotional weight is lost.

Detective Comics #1002 is a much better issue than previous ones, with a whole being greater than the sum of its parts. Plus, there’s a killer cliffhanger ending. I look forward to finding out who Arkham Knight really is (and seeing if I figured it out).

  • Jason Jeffords Jr.

Teenage Mutant Ninja Turtles #93

IDW Publishing

(w) Tom Waltz, Kevin Eastman, Bobby Curnow (a) Dave Wachter (c) Ronda Pattison

The opening shots have been fired as New York City finds itself in the throes of war. In many respects, Teenage Mutant Ninja Turtles #93 is a return to form for the series. Though it has experimented over the past couple years in exploring the cosmic side of the TMNT universe, the characters have always worked best when the stakes are grounded. Much like the original “City at War” storyline, this centers around a war between factions of Foot Clan with the Turtles and their allies stuck in the middle.

Dave Wachter’s art is a perfect blend of the cartoonish aesthetic associated with more well known TMNT properties and the gritty, indie comics of the 1980s. As a result, the script by Tom Waltz (with story credits by Kevin Eastman and Bobby Curnow) is able to seamlessly jump from humorous to serious at the drop of a hat. Waltz as a lot to do with this issue, in large part due to the large cast of characters he must juggle. As a result, the pacing is uneven in places. It is only in the book’s final pages that main conflict appears to begin in earnest. However, it is in those final pages that the tension ramps up to eleven. Any thoughts that this version of “City at War” would pull its punches are cast aside.

Teenage Mutant Ninja Turtles #93 might not be the best place for new readers to jump in, but it is great for lapsed readers looking to return. Waltz and company have put the pieces in place for this to be an epic story – all that needs to be done is to execute over the next seven issues. If the writing can step up to the level of Wachter and Pattison’s art, this “City at War” has a good chance of surpassing the original.

  • Daniel Gehen

Image result for thanos #1 2019 cover

Thanos #1 (of 6)

Marvel Entertainment

(w) Tini Howard (a) Ariel Olivetti (c) Antonio Fabela

With the release of Avengers: Endgame in theaters this week, it makes sense that Marvel would pump out a title meant to entice casual readers. The result is Thanos #1 from Tini Howard and Ariel Olivetti, a book which aims to examine the relationship between the mad Titan and his adoptive daughter, Gamora. While possessing a great visual flair from Olivetti and colorist Antonio Fabela, the story itself offers readers little to anything new.

Just from appearances, Thanos would fit comfortably alongside the classic Infinity Saga books of the 1990s thanks to Fabela’s colors. His use of a flat technique gives this book an old-school look, while Olivetti’s inks makes it look simultaneously modern. Given the prequel nature of the story, the retro aesthetic makes sense, calling back to greats such as George Perez.

Unfortunately, the story just isn’t that interesting. Tini Howard tries to marry Thanos’ motivations from Avengers: Infinity War with his classic comicbook version. While she is technically successful, the execution is underwhelming. This clearly was a publisher’s mandate, with Howard being the hired gun to execute their vision. This may satisfy hardcore Thanos fans, but the rest of us can skip the remaining issues.

  • Daniel Gehen

Image result for the wild storm #22 preview

The Wild Storm #22

DC Comics

(w)  Warren Ellis (a) Jon Davis-Hunt (c) Steve Buccellato

Warren Ellis and Jon Davis-Hunt’s The Wild Storm has finally reached its endgame (yay for topical puns). For 20 issues, their reimagining of the Wildstorm Universe has been a high concept rollercoaster of setup and intrigue. Now, the story has pivoted to an explosive finale which should carry through the final four issues.

Most of The Wild Storm has been dependent on Warren Ellis’ tight scripts primarily focused on character interactions and story development. That all pays off here with an issue that relies primarily on the visuals of Jon Davis-Hunt and Steve Buccellato. Though not a silent issue, the dialogue and narrative boxes come secondary to the art. Buccellato has been careful to keep most of The Wild Storm in a neutral palette, which makes the heavy use of vibrant colors in this issue pop off the page.

The Wild Storm has continued to build on itself from the first issue, and Issue #22 is the best of this series thus far. An intricately plotted narrative from Warren Ellis has enable the art team to flex their muscles here, resulting the series’ best looking issue to date.

  • Daniel Gehen

Detective ComicsTeenage Mutant Ninja TurtlesThanosThe Wild Storm

Share On:
Tweet
Review: “When I Arrived At The Castle” Beckons You To Revisit Multiple Times
Reaction: Avengers: Endgame is exciting but Avengers: Infinity War is better.

About The Author

Daniel Gehen, Jason Jeffords Jr.
Editor-in-Chief

Dan was introduced to the 1960s Batman show at a young age, which developed into a lifelong passion for comics. When he's not grinding out his day job, he can be found reading about Scarlet Speedsters, Web-Heads, or Sagas just about anywhere. If it's good he'll read it. If it's bad... there's a chance he still might read it.

Related Posts

  • Retro Review: Detective Comics #826 Remains a Holiday Classic

    Daniel Gehen
    December 3, 2020
  • 4.5

    TMNT: The Last Ronin #1 Lives Up to the Hype (Review)

    Daniel Gehen
    October 29, 2020

Support Us!

Buy Me a Coffee at ko-fi.com

Friends of the Site

  • SOLRAD
  • Your Chicken Enemy
  • Psycho Drive-In
  • Women Write About Comics
  • The Beat
  • Loser City
RSSTwitterFacebookgoogleplusinstagramtumblr

Comics Bulletin is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for website owners to earn advertising fees by advertising and linking to amazon.com, audible.com, and any other website that may be affiliated with Amazon Service LLC Associates Program. As an Amazon Associate, Comics Bulletin earns from qualifying purchases.

All content on this site (c) 2018 The Respective Copyright Holders