By Beau Smith

A few weeks ago here at Busted Knuckles we talked about the fact that after all these years Marvel and DC are still the cocks of the walk in the comic book business. The readers also made it quite clear that super hero comics and characters are still the most bought and sought.

For over 60 years Marvel and DC have cultivated super heroes like crops of wheat with the best fertilizer. Others have come and gone, but Marvel and DC continue to stand strong with their super heroes.

Other publishers have tired to establish their own lines of super hero comics. In the 60s there were a few, Tower Comics, Gold Key, Dell, Harvey, Charlton and even Archie Comics, just to name a few.

The 70s proved to be a time when Marvel and DC really put some distance between them and any competition that reared its head. This was also the time when the mass market was changing and comic books were no longer a mainstay in super markets, drug stores and other traditional outlets of retail. Some even used to say that comic books were gonna die and this was a good day for it.

Then the 80s came along and with it came the power days of the direct market. The 80s brought on a real surge of other companies lookin’ to establish their own super heroes. Please remember, this was a time when the direct market was really strong. A time when a new generation of former comic book readers were now retailers, distributors, publishers as well as creators. By the mid 80s there were quality publishers poppin’ up that knew what they were doin’ and also brought some innovative twists to comics. I’m sure you remember names like Comico, Eclipse, First, Dark Horse, Pacific and others that made very strong impressions on the way comics and super heroes were bein’ done. It sure made Marvel and DC wake up and take notice.

This power surge kept right up into the early 90s. That’s when the things hit a peak of quality.

It was around 1992 to 93 that the inmates started runnin’ the asylum. The next batch of former readers started fillin’ up the positions of power in comics. It was just like when cousins start datin’ cousins. The more they reproduced the more messed up the product became. Art became more important than story and characters. The steak sizzled really nice, but it tasted like donkey dump. We had Image Comics, Valiant and more others than I really care to remember. Granted, I was a part of this durin’ my own time at Image Comics and Todd McFarlane Productions. At first I thought I was doin’ the right thing by educatin’ these guys on the details of retail, distribution and marketing, but I soon found out it was like teachin’ kids how to build a campfire and then havin’ em’ turn it into a flame thrower and start scorchin’ everything.

Just like after the fall of the south in the civil war, in the mid-90s the Carpetbaggers arrived. This time they came in the guise of speculators, foil, chromium, glow-in-the-dark, signed, variant covers. The locust that ruined the sports card market came in and devoured comics. Sucked em’ dry like an over-saturated vampire in a Steve Niles comic book. When they were through they left and moved on to action figures, card games and anything else they could strip mine.

I think that there was a huge misfire of potential during this time of Image, Valiant and the others. I really think that if attention would have been paid to story and the view of the bigger picture they could have up rooted Marvel and DC. If not uprooted then made them better. There is nothing wrong with good, strong competition. I think if you look back at the 80’s you’ll see that when the independents produced quality story along with quality art that it made Marvel and DC amp up their game as well.

When I worked at Image and TMP from 1992 through 2000 I always said that Image could have been the biggest muscle ever flexed in entertainment. Not just comics, but entertainment as a whole. The power and creativity was there. The problems and hurdles were many. Image needed to work as a team and not studio against studio. It was one company, but it was divided into many camps. Those stories I’ll save for another Busted Knuckles.

Image, Valiant and the others could have super-sized what happened in the 80s. All of comics would have been made better for it. For once the financial backing was there. They could have created a base for super heroes and characters that would have gone on for 60 plus years. I feel that they could have even taken things beyond just super heroes. That’s what would have separated and made them pass Marvel and DC. It was obvious that Marvel and DC was happy with just selling comics to the same readership and didn’t want to expand further. Or just didn’t know how.

Soon with the threat of Image and the others gone, like old people, Marvel and DC could once again put their teeth in a glass and take a nap.

Their world of super heroes was safe again.

The next time they would have to wake up was when CrossGen came around. But they only had to wake up for a little while. It was the annoying nudge of CrossGen wooing top line creators away that got the attention of Marvel and DC. The fact that CrossGen also had money made them go back to the gym and start joggin’ once more.

It wasn’t long before they started hittin’ the snooze button again when they found out that CrossGen wanted to do everything BUT super hero comics. CrossGen was a dangerous beast when DC and Marvel thought about them havin’ A-List super hero creators and money. Two very dangerous things to contend with. When they started hearing of CrossGen’s publishing plans and how they were goin’ make the readers change their buyin’ habits without super heroes, well? they knew it wouldn’t be long before they could start countin’ sheep again.

Think about it, if CrossGen had taken those creators and that money and started pumpin’ out superheroes, if Mark Alessi would have kept out of the creative folks face with his ideas, it might’ve been a whole different prom date.

To help expand things in comics a publisher is gonna have to own a few important things. First they are gonna have to have money. Next, top flight creators. They’re gonna need innovative creative management. Management that has a history of what has come before and also what it takes to go beyond. Management that guides and lets creators do what they do best and still keep them on track towards the bigger picture. With the market the way it is they’re gonna have to build with super heroes. After they’re established they can then widen the path with other types of books. But the splash has to be made with super heroes.

If you want to have a really nice house with fine art, and really nice things, you’re gonna have to make sure that your fancy house is built on a really strong foundation. Right now with the way the market is in comics, with distribution and with the buying habits of the readers, super hero comics are gonna have to be that strong foundation.

I know other publishers have tried to establish new super hero lines. That’s part of the problem. They always feel they have to have a line or a banner to put these characters under. That’s puttin’ the fat lady before the buffet. When publishers come out with a line/banner of characters or instantly start their own universe they cripple themselves right out of the box.

Readers have told me that they would rather a character start out on their own. Other new characters should be established from within that book. If a publisher does have three new characters then they should each have their own books and not be related. After a year or so, when they have proven they can make it on their own two legs, THEN you cross em’ over. No need to rush things. The retailers that write me and that I’ve talked to, have told me that they tend to order lines/banners about the same and they also cut them at the same percentage as the line rolls out. They order them as one thing instead of each on their own merit. That’s what they tell me. Remember, retailers are ordering things months in advance and sometimes haven’t even seen preview art or any kind of decent promo. Most of the time all they get from a publisher is a wad of hype followed by a “beauty shot” and a terrible tag line from an old Chuck Norris movie (“This time it’s personal” “It’s Payback Time!” You get the ugly picture.)

Publishers make an event before there’s an event to be made. Some things are supposed to build at a slower pace. Characters are one of em’. That’s also why money is such a key factor. It allows a publisher to take the time to grow the characters. The problem is most publishers don’t have that luxury.

As readers, do you think another publisher besides Marvel and DC can really make a run at creating super heroes that will be around for the long haul or are super heroes something we’ll all just have to submit to Marvel and DC?

Would you support super heroes from another publisher long term? What do you think they would need to do to make this happen? When it comes to super heroes will there ever be another publisher that can stand toe to toe with “The Big Two”? This isn’t an “Everybody vs. Marvel and DC Thing”. I’m just askin’ if you think there will ever be room for another super power.

I’m not askin’ for a debate on if there should even be more super hero comics . Fact has it that super heroes are the biggest and top sellin’ books. It’s obvious readers want em’. Can anyone else do em’ for the next 60 years?

I’m sure you’re gonna let me know. When ya do I’ll make sure everyone else knows.

Wynonna Earp: The Whole Story—So Far

Those of you that know me are very aware that I NEVER pass up the opportunity to shamelessly plug my own stuff. I do this for a few reasons.

  • I love my own work more than I love yours.
  • I love me more than I love you.
  • I need you to love my work so you’ll buy it.
  • I need my work to sell so I won’t have to work a job I don’t love.
  • It’s all about the love.

In July IDW Publishing will release Wynonna Earp: The Complete Collection. This will be a book as big as the monsters Wynonna hunts down. It will collect EVERY Wynonna Earp story that I have ever done. This includes the first five issue series of Wynonna Earp that was published by Image Comics. Written by me with art by the lovely Joyce Chin , Pat Lee and Mark Irwin. It also includes the recent three issue series Home On The Strange published by IDW Publishing written by me with art by Carlos Ferreria. PLUS you’ll get the Wynonna Earp story Blood Is The Harvest that appeared in the limited hard cover IDW Tales Of Terror. It will also have the origin story of Wynonna Earp as well as all sorts of extra features and artwork. Over 200 pages and in full manly color.

Wynonna Earp and Kenny-Werewolf Biker. Art by Scot Eaton

Let’s face facts, with me now a full time freelancer I can really use the support as well as the money. My buddies at DC Comics still don’t understand that I should be doin’ a new Wildcat mini-series. My amigos at Marvel don’t understand that I should be the man that makes The Sub-Mariner manly again. Sometimes I think all the British writers have joined together as a secret society and are usin’ their good manners and fancy words to sway editors against me. I’m bettin’ it was Neil Gaiman and Paul Jenkins that let the air our of my truck tires and pasted a nude photo of Camilla Parker Bowles on my front door. Rotten Limey Bastards!

So unless ya want me to hit ya up for meals, drink your beer and live in your basement I’d suggest ya go to your local comic store and pre-order Wynonna Earp: The Complete Collection. You’ll be glad ya did and miserable if ya don’t. I’ll see to it.

The Fight Goes On Forever, But The Party’s Gotta End

It’s been a BEAUtiful weekend here at The Flying Fist Ranch. The weather has been wonderful and I’ve been mucho busy. Me, Blue and Chubb went on patrol early this evening and made sure no evil was afoot. I had a couple of really cold beers as I watched my Cleveland Indians on TV. Life ain’t too bad for a man you don’t want talkin’ to your sister or girlfriend.

You Owe Beau. Art By Flint Henry

I look forward to your emails on the above topic of super heroes. I’ll make sure I tally them up and get the word in print right here at Busted Knuckles. Unitl next week just keep chantin’? “I owe Beau? I owe Beau? I owe Beau?”

Your amigo,

The Flying Fist Ranch
P.O. Box 706
Ceredo, WV. 25507

Prove your manhood by visiting Beau at the Flying Fists Forum!

About The Author

Beau Smith

Beau Smith is a writer for Comics Bulletin